Ed. by Frederick Garber
Akadémiai Kiadó
Budapest
1988
ISBN 963 05 4844 5
Table of Contents
General Preface by Henry Remak (Bloomington)
Editor's Preface by Frederick Garber (Binghamton)
Tradition and Background
Romantic Irony and Cervantes by Lowry Nelson, Jr. (New Haven)
Sterne: Arabesques and Fictionality by Frederick Garber (Binghamton)
National Manifestations
The Theory of Irony in German Romanticism by Ernst Behler (Seattle)
The Practice of Irony in Early German Romanticism by Raymond Immerwahr (London, Ontario)
Modes of Romantic Irony in Nineteenth-Century France by Rene Bourgois (Paris)
The Ironic Recit in Portuguese Romanticism by Maria de Lourdes Ferraz and Jacinto do Prado Coelho (Lisbon)
Imagination and Irony in English Romantic Poetry by Anthony Thorlby (Essex)
Thorbecke and the Resistance to Irony in the Netherlands by Wim Van Den Berg and Joost Kloek (Utrecht)
Romantic Irony in Scandinavian Literature by George Bisztray (Toronto)
Irony and World-Creation in the Work of Mihai Eminescu by Vera Calin (Los Angeles)
Romantic Irony in Nineteenth-Century Hungarian Literature by Mihály Szegedy-Maszák (Budapest)
Romantic Irony in Polish Literature and Criticism by Edward Mozejko and Milan V. Dimic (Edmonton)
Pushkin, Lermontov, Gogol: Ironic Modes in Russian Romanticism by Roman S. Struc (Calgary)
Romantic Irony and the Southern Slavs by Milan Dimic (Edmonton)
The Development of Romantic Irony in the United States by G. R. Thompson (Lafayette)
Syntheses
Romantic Irony and Narrative Stance by Lilian Furst (Chapel Hill)
Musical Forms of Romantic Irony by Jean-Pierre Barricelli (Riverside)
Romantic Irony and the Grotesque by Gerald Gillespie (Stanford)
Romantic Irony in Modern Anti-Theater by Gerald Gillespie (Stanford)
Coda: Ironies, Domestic and Cosmopolitan by Frederick Garber (Binghamton)
Bibliography
Index